Showing posts with label reviews. Show all posts
Showing posts with label reviews. Show all posts

Tuesday, 3 July 2007

in a world of danger the pen is still mightier

Every now and again something inspires you to pick up a book that is completely out of character for you. It is completely unlike something you would normally read and you don't even know why you want to read it. But you have to. I felt that way about The Raw Shark Texts by Steven Hall.

It is a post modern voyage into the conceptual. No, that's not me trying to be smarter than I am, it actually is. You start with a man who wakes up with no recollection of who or where he is. Gradually, through notes left for him by himself before he lost his memory he is introduced to a world in which all the communications, information exchange, relationships, memories, thoughts and ideas between people form a kind of conceptual fluid. In this fluid swim conceptual fish. This particular man, the main character, is being hunted by a shark - it wants to feed on his mind until there is nothing left.

Cue adventure story, clue following and conceptual shark hunting. The great thing about the novel is its premise, the adventure story lost me a little because it felt a bit too Indiana Jones - complete with love interest and humorous side kick. Although the intertextuality of the story was great and made me remember how much I love postmodern writing. Collective subconscious anyone? The brilliance of Hall's tale is based on the idea that words and ideas are powerful and dangerous. The fact that people are impressionable and easily manipulated, that minds and identies are easily fractured.

This is not something I'd normally pick up, but something I'm glad I read. It does have a Da Vinci Code feel to it and it is a film waiting to happen, both of which cheapen it a little. But I'd still recommend it. It's like taking a can opener to your mind.

Incidentally Kate, you might be interested to know that Hall has named Get Me Away From Here, I'm Dying by Belle & Sebastian as his main character's theme. Oh yes, film rights on their way.

P.S Might I add that it somehow reads like a manga movie in parts, a comic book in others and a philosophical tome in the rest (that isn't adventure story). It's a good read.

Friday, 11 May 2007

We Need To Talk About Kevin (Shriver): nature vs nurture

"Dear Franklin,
I'm unsure why one trifling incident this afternoon has moved me to write to you. But since we've been separated, I may most miss coming home to deliver the narrative curiosities of my day, the way a cat might lay mice at your feet: the small, humble offerings that couples proffer after foraging in separate backyards."

To sum this book up - heartbreaking and terrifying.

Shriver is a clever writer, her style is relatively simple but is so vivid and cleverly constructed. Every now and again she'll throw in a phrase or sentence that makes you stop and want to shake her hand. I was hooked from that opening sentence above.

The the novel, for those who haven't read it, is written as a collection of letters to her husband. It's a great technique that makes you think about all the times you've stopped yourself during an extreme moment and thought 'how would I tell this story later?'. It also allows her to dose the whole book in a sense of impending doom fitting for the subject matter. Which is dire. The main character Eva's son Kevin is imprisoned for shooting dead nine classmates. She lives with the notion that she always thought there was something wrong with the boy, but what do you do when it's your son? This is the nature vs nurture argument writ large. Rest assured you'll need a big hug and a stiff drink when you've finished reading this one.

About halfway through I'm afraid I started to lose interest, describing it to my boyfriend as like The Omen, if Damien's so bad and no-one believes her why doesn't she just leave?
But all of that dropped away for the last quarter. Although the story makes no bones about the tragedy in its opening pages, she manages to not let the reader just grow complacent, she keeps reminding them about the consequences, the innocence of the people that were maimed and killed. She saves some terrible surprises for the end. But Eva's narration becomes increasingly unreliable, she remains adamant on things she had done, for which there is no proof. She leaves out parts of the tale until the very end, flooring you when she finally reveals them. And, despite all claims otherwise, she still loves her son.

What stuck me as interesting is after she has finished her story she acknowledges that Kevin was, indeed, still her son. In among the nature/nurture arguments Kevin, who seems irreparably broken earlier in the novel, starts to make sense to his mother. Somehow the experience or the passing two years has brought them closer together, although he was the perpetrator. How she could find time for him when he took so much from her I just couldn't understand. But I suppose she understood him more than anyone, as a child there was nothing he would miss if it was gone. In prison he discovered the importance of his mother. It breaks your heart that Kevin had so much growing up to do when he killed those people and had he just started a MySpace page instead he could have turned into an alright person. He starts repeating his mother's words he mocked as a younger boy. She keeps his bed made, just in case.

It makes the quote on the opening page ring true:

"A child needs your love most when he deserves it least"